{"id":1077,"date":"2015-09-27T16:02:16","date_gmt":"2015-09-27T23:02:16","guid":{"rendered":"http:\/\/www.maureeneppstein.com\/mve_journal\/?p=1077"},"modified":"2015-09-27T16:02:16","modified_gmt":"2015-09-27T23:02:16","slug":"translucent-angels","status":"publish","type":"post","link":"https:\/\/www.maureeneppstein.com\/mve_journal\/?p=1077","title":{"rendered":"Translucent angels"},"content":{"rendered":"

The glass artist John Hutton was on the list of New Zealanders living abroad that my editor at the Christchurch, NZ Press<\/em> handed me when I left the paper in 1962. \u201cHe\u2019s been working for years on a project for the new Coventry Cathedral. Go check out how it\u2019s going,\u201d he said.<\/p>\n

Also known as St. Michaels, the original cathedral in Coventry, England was constructed between the late 14th and early 15th centuries. It was gutted by incendiary bombs during World War II; only the tower, spire, the outer wall and the bronze effigy and tomb of its first bishop survived. After the war, a decision was made to build a new cathedral and to preserve the ruins as a constant reminder of conflict, the need for reconciliation, and the enduring search for peace. The architect, Sir Basil Spence, proposed that the new cathedral should be built alongside the ruins, the two buildings together effectively forming one church.<\/p>\n

\"coventry<\/a>

St. Michaels Cathedral, Coventry, England. The old and the new side by side.<\/p><\/div>\n

Spence commissioned many magnificent art works for the new modernist building. \u00a0Hutton\u2019s contribution was to be a great glass screen for the west end of the new cathedral.<\/p>\n

\"Coventry<\/a>

This image of Hutton’s great glass screen was posted by ashleyniblock on http:\/\/www.vortis.com\/blog\/<\/p><\/div>\n

Unfortunately, the text of my interview is lost, but I still have a letter I wrote about our visit to Hutton\u2019s studio near London:<\/p>\n

May 9, 1962<\/strong>
\n<\/em><\/p>\n

\"Hutton<\/a>

One of the vases made by Hutton for sale at Coventry Cathedral. It is decorated with figures which appear among the images in the Great West Screen. It is now in the University of Warwick Art Collection.<\/p><\/div>\n

Another artistic experience of a quite different sort was on Monday \u2013 we went out to interview John Hutton, a New Zealand artist who has made the great glass screen for Coventry Cathedral, which is to be consecrated this month. The panels are engraved with saints and angels, in a very bold scribbly style that nevertheless has a rich Gothic quality about it. We were very impressed, and also with his other work that he has at his studio \u2013 more glass work, but also paintings, and many other media as well. Just wish we had a hundred pounds to spare \u2013 he is making a series of vases, each engraved with two of the angels, which the cathedral is selling to raise funds.<\/em><\/p>\n

\u00a0Revisiting this story feels particularly relevant today. From the window of my office at the Christchurch Press<\/em>, I used to look out at ChristChurch Cathedral, which was destroyed in the earthquake of 2011. Arguments are still going on about whether to rebuild or replace a building that was the physical and spiritual center of the city.<\/p>\n

<\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

The glass artist John Hutton was on the list of New Zealanders living abroad that my editor at the Christchurch, NZ Press handed me when I left the paper in 1962. \u201cHe\u2019s been working for years on a project for the new Coventry Cathedral. Go check out how it\u2019s going,\u201d he said. Also known as […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[262,156,125,312],"tags":[315,314,313],"_links":{"self":[{"href":"https:\/\/www.maureeneppstein.com\/mve_journal\/index.php?rest_route=\/wp\/v2\/posts\/1077"}],"collection":[{"href":"https:\/\/www.maureeneppstein.com\/mve_journal\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.maureeneppstein.com\/mve_journal\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.maureeneppstein.com\/mve_journal\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.maureeneppstein.com\/mve_journal\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1077"}],"version-history":[{"count":7,"href":"https:\/\/www.maureeneppstein.com\/mve_journal\/index.php?rest_route=\/wp\/v2\/posts\/1077\/revisions"}],"predecessor-version":[{"id":1110,"href":"https:\/\/www.maureeneppstein.com\/mve_journal\/index.php?rest_route=\/wp\/v2\/posts\/1077\/revisions\/1110"}],"wp:attachment":[{"href":"https:\/\/www.maureeneppstein.com\/mve_journal\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1077"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.maureeneppstein.com\/mve_journal\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1077"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.maureeneppstein.com\/mve_journal\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1077"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}